And they that use this world - Let them who have earthly property or employments discharge conscientiously their duties, from a conviction of the instability of earthly things. Make a right use of every thing, and pervert nothing from its use. To use a thing is to employ it properly in order to accomplish the end to which it refers. To abuse a thing signifies to pervert it from that use. Pass through things temporal, so as not to lose those which are eternal.
For the fashion of this world - Το σχημα του κοσμον τουτου signifies properly the present state or constitution of things; the frame of the world, that is, the world itself. But often the term κοσμος, world, is taken to signify the Jewish state and polity; the destruction of this was then at hand, and this the Holy Spirit might then signify to the apostle.
And they that use this world - That make a necessary and proper use of it to furnish raiment, food, clothing, medicine, protection, etc. It is right so to use the world, for it was made for these purposes. The word using here refers to the lawful use of it ( χρώμενοι chrōmenoi). As not abusing it - καταχρώμενοι For the fashion of this world - ( τὸ σχῆμα to schēmaThe form, the appearance. In 1 John 2:17, it is said that “the world passeth away and the lust thereof.” The worst “fashion” here is probably taken from the shifting scenes of the drama where, when the scene changes, the imposing and splendid pageantry passes off. The form, the fashion of the world is like a splendid, gilded pageant. It is unreal and illusive. It continues but a little time; and soon the scene changes, and the fashion that allured and enticed us now passes away, and we pass to other scenes. Passeth away - ( παράγει paragei). Passes off like the splendid, gaudy, shifting scenes of the stage. What a striking description of the changing, unstable, and unreal pageantry of this world! Now it is frivilous, splendid, gorgeous, lovely; tomorrow it is gone, and is succeeded by new actors and new scenes. Now all is busy with one set of actors; tomorrow a new company appears, and again they are succeeded by another, and all are engaged in scenes that are equally changing, vain, gorgeous, and delusive. A simliar idea is presented in the well known and beautiful description of the great British dramatist: “All the world‘s a stage, And all the men and women merely players. They have their exits and their entrances, And one man in his time plays many parts.” If such be the character of the scenes in which we are engaged, how little should we fix our affections on them, and how anxious should we be to be prepared for the “real and unchanging” scenes of another world!